5 January, 2026

A Nut Un-Cracked: What to do when a pattern flops

2026-01-05T14:43:04-06:00An Artist's Life, Etsy, Sewing & Design|0 Comments

I’m going to start this post with a spoiler: I don’t actually know the answer to this one. But I wanted to tell you a story about my big pattern release of 2025.

In about August of 2025, I decided to design a big pattern for the holiday season. I design a lot of ornaments, but I thought it would be fun to do something a little more and a little bigger. I’ve always loved Tchaikovsky’s Nutcracker Suite. I’ve listened to the music probably hundreds of times and I’ve seen a handful of performances of the ballet. So I decided to do a nutcracker. Nutcrackers are classic and fun. I made this one the size to go on a mantle piece or be part of table decor. It’s a little larger than an ornament. It’s all made from relatively easy to source materials: wool felt, thread, sequins, a popsicle stick. I even put together a sequin kit so you could just buy exactly what you need to make the pattern.

I wrote a little in this post about designing the nutcracker. I decided to make a dog version, because I love anything to do with dogs. Then I created a classic nutcracker face and a cat version that could be swapped out. The body pieces stayed the same and you could make any of the versions you liked; you can see them all in the photo above. So I called it the Nutcracker Trio Pattern.

One of the things I try to do a lot in my practice is to find ways to re-use work. For this project that meant I was going to release this pattern in three ways: as a Zoom class, as a pre-recorded video class and as a .pdf pattern. I could develop all of those at the same time, because so many parts overlapped. The print version of the pattern is about 24 pages long, all illustrated with step-by-step photos. It’s practically a book.

I made samples. I photographed. I teased “making of” and “coming soon” photos and videos on Instagram and Facebook. I took the samples with me to every in-person class and event I did in October and November.

I did a lot of research about best practices for holiday pattern releases. I took registrations for the Zoom class and online class starting in early fall so that people could get theirs finished by Thanksgiving if they were working along in class. I released the pdf pattern on Etsy on October 1.

Then… crickets.

To be fair, I taught the Zoom version of the class to a group of regular class participants. We have done some kind of a holiday ornament pattern together every year for about 4-5 years now so they were ready to sign up as soon as I had it ready. We had a lot of fun in class and everyone made gorgeous custom versions as gifts for all kinds of family members. We even had ones made to look like the family dogs. An absolute joy.

But I didn’t sell a single pattern. Or have a single class registration for the online version. None.

In October, I tried not to get discouraged. It was early. People weren’t thinking about holiday decor yet. I made some promo videos with some dry ice that were Halloween themed. I did a Swifty Showgirl version. I posted clips from videos and talked about the embroidery stitches. I wrote a blog post and wrote about it in my newsletter.

November and still nothing.

  • I took some new photos and swapped them around in my Etsy listing.
  • I added photos of nutcrackers made by students to my class page and got some great quotes.
  • I added finished versions to my Captain Labradork shop thinking maybe people wanted to buy them and not make them. (None sold.)
  • I brought finished ones to sell at in-person craft shows and made a QR code with links to the class and the pattern. (None sold.)
  • I expanded the sequins kit I had for sale to include some of the other optional hardware like popsicle sticks to the kit.
  • I made a new resources sheet that matched the pattern to 4 different pre-set Benzie Design felt color palettes that would work amazingly for this pattern, so you could buy essentially a kit of felt ready to go.
  • I ran a sale for furloughed government employees.
  • I ran an ad in a holiday gift guide for the Craft Industry Alliance.
  • I did market research and poured over similar listings on Etsy looking for comparable patterns/cost/complexity. (Mine was right in line with those.)
  • I made SO many samples to use in photos and promos.

Etsy ran a whole video campaign about “Nutcracker Core” being a huge holiday trend. I’ve sold on Etsy for 20 years and I sell patterns like this regularly, so I know I had everything set up right and early enough for the algorithm to find it.

But sadly, this pattern turned into the biggest flop of my entire design career so far.

I don’t know why it flopped and that’s probably the most frustrating thing about being a designer. People went crazy for these when I had them at in-person events. Everyone said “you should sell these in the gift shop at —” or “these are going to be so popular” or “I would totally take this class”. They asked me if there would be kits available. They liked the social media posts. All signs pointed to it being a popular pattern/class.

I’ve thought about it a lot. I’ve talked to friends in the same sector/industry, other makers, students and teaching colleagues. I don’t know where it missed the mark, but a few ideas that floated to the top:

  • Maybe it looked to hard or too complicated? It seemed like an advanced project and scared off beginners?
  • Maybe it looked like it would take too much time? People were looking for quick and easy? (I did sell a lot of simpler patterns on Etsy in the same time frame, especially sheep.)
  • Maybe the algorithms were just putting my content in a deep dark hole where no one was seeing it?
  • Maybe I didn’t promote it enough? Or promoted it with the wrong message?
  • Maybe the economy just held people back from buying? Maybe it was too expensive?
  • Maybe it’s really terrible and I just can’t see it?

I haven’t decided yet if I am going to retire the pattern on Etsy and relaunch it next holiday season or leave it up and see what happens. Maybe it needs to have fresh eyes look at it. I need to think about it some more.

As I am wrapping up 2025 and looking at my spreadsheet of projects and goals for the year, I made a choice to invest a lot of time and resources into this design and it definitely didn’t work the way I had hoped. That part of my goals chart are not going to be filled in for sure and yet I feel like I still did everything “right”. And who wants to post a rosy “I’ve met all my goals for the year!” post (like I’ve been seeing all around) when you feel like you totally didn’t.

And that’s the reason I decided to write this post, because I KNOW that I am not the only one this has happened to. It’s easy to get discouraged when you put things out there and so I wanted to share this story because I know it helps to know you aren’t the only one.

6 November, 2025

New Cow and Highland Cow Embroidered Felt Ornament Patterns!

2025-11-13T22:00:32-06:00Embroidery, Everything Else|Comments Off on New Cow and Highland Cow Embroidered Felt Ornament Patterns!

Today the blog has been invaded by a herd of cows! Cows and Highland Cows have been some of my most requested animal ornament designs. My grandparents had a dairy farm in upstate NY and I have a lot of fond memories of cows and visiting the farm when I was a kid. I decided that the shapes would be so similar that it would be easy to put both a holstein cow and a highland cow in the same pattern so you can make whichever version you love.

I started this design with a sketch. You can see I decided to draw both versions kind of on top of the other so I could see how the pattern could share pieces. I scanned this and took it into Adobe Illustrator to draw the pieces.

I wanted to coordinate it with my other patterns so it’s in the same style and size as the sheep, dog and cat designs.

One of the variations I did was a purple cow. Growing up, we had a family favorite ornament on the Christmas tree that is a purple cow. My grandma sent it to us when I was a little kid and it was a handmade felt ornament probably from a local church craft fair. The thing I remember is that it had rhinestone eyes that were bright red, which made it look a little devilish. There’s a poem by Gelett Burgess (later quoted by Ogden Nash) that my dad recites all the time:

The Purple Cow
(Reflections on a Mythic Beast Who’s Quite Remarkable, at Least.)

I NEVER saw a Purple Cow;
I never hope to See One;
But I can Tell you, Anyhow,
I’d rather See than Be One.

It always makes me chuckle and someone in my family would always recite the poem when we hung the ornament on the tree. Maybe your tree needs a purple version too.

9 October, 2025

Art Word of the Week: Baste

2025-10-09T10:24:33-05:00Sewing & Design, Tutorials|Comments Off on Art Word of the Week: Baste

While I was teaching a class a week or so ago, I realized that there are many art words that I use often and I have a kind of automatic explanation that I say out loud when I use them for the first time in class. I thought that would make a great series of blog posts because you might also hear these words and wonder: what does that mean?

This week’s word is baste.

The first image that might come to mind is Thanksgiving dinner, but in art, or fiber art more specifically, basting means to hold something together temporarily. Often that’s done with big running stitches in a contrasting colored thread, so it’s easy to see and remove later. I have basted sleeves into a shirt to make sure everything aligns perfectly before I sew it. You often baste in a zipper to make sure that the garment fits just right.

In my classes, I often use glue sticks to baste together pieces of felt before we sew them. Glue stick isn’t strong enough to hold something permanently, but it’s great to keep pieces from moving around while you stitch the edge.

Why use basting and not pins or clips? The best part about basting is that there’s nothing to get in the way. I can take a basted sleeve to the sewing machine and just sew; I don’t have to stop every few stitches and pull out a pin. Basting also doesn’t distort or bend your fabric like a pin can, so you can see if your zipper lies flat and fits the way it should.

19 April, 2025

Embroidering a Koala in 3 Minutes

2025-04-19T13:08:04-05:00An Artist's Life, Embroidery, Videos|Comments Off on Embroidering a Koala in 3 Minutes

I’ve been having a lot of fun embroidering an entire zoo full of animals. Here is a koala from start to finish. This took about 33 minutes to stitch and I have reduced it down to just under 3 minutes. It’s wool felt, embroidered with perle cotton onto a wool felt eyeglasses case. I drew the koala in Illustrator first and printed a pattern on freezer paper. This is easier for me than doing a pencil sketch because I can adjust the size to fit in exactly the space I need and I can reuse those pattern pieces again and again.

20 March, 2025

How do I Start to Learn Hand Embroidery?

2025-03-20T17:19:48-05:00Embroidery, Everything Else|1 Comment

I had a great email question a few days ago from a person who wanted to know how to get started learning to do hand embroidery. A friend of hers had taken several of my classes and said “Talk to Becka!” but she didn’t know what to choose. So I thought it would be helpful to write a post to help everyone find the right place for you to get started learning to embroider with me. I teach in a whole bunch of different formats so it can be hard to know where to start. Whether you like to learn in-person, online, from a book, from a pattern, or one-on-one, I’ve got everything broken down so you can find the right fit for you.

Beginners start here.

  • Check my Classes & Events page for upcoming Zoom and in-person classes. These class projects usually feature 1-3 different stitches so you can get an idea if you like to embroider and all of the materials are included so you don’t have to go out and buy a bunch of tools and materials.
  • If you like to work from written instructions, then check out the patterns in my Etsy shop. The Sheep, Cat and Dog are especially great for beginners. These patterns need just basic materials like scissors, needle, thread, and some felt and they have a QR code link to demo videos of each stitch.
  • If you like to work from videos, then look on my Online Classes page. The Tropical Fish Bag or Sashiko Inspired Squares are great beginner classes. These each have a printed fabric panel with guidelines on it to help you make your stitches. You can order these from my Spoonflower shop and use any embroidery threads you have already.

Then try…

Ready for a challenge…

19 February, 2025

Preventing and Untying Knots in your Embroidery

2025-02-19T11:37:22-06:00Embroidery, Tutorials|Comments Off on Preventing and Untying Knots in your Embroidery

One of the most frustrating things about hand embroidery is when your thread ties itself in knots while you are stitching. I thought I would write a couple of tips to help prevent knots and how to untie them when they happen.

Preventing Knots

After you have threaded your needle, take a few seconds to “condition the thread”. That means pinching the eye of the needle so that it doesn’t come unthreaded and then running the length of the thread through your fingers a few times while you pull on it gently. What does conditioning do? It helps to push some extra twist out of your thread. Less twist means fewer knots.

As you stitch, some stitch movements can build up extra twist in your thread, especially with stitches that wrap around themselves, like french knots or twisted chain. Keep an eye on the extra thread as you stitch. If you see it start to twist back on itself, that is a knot waiting to happen. You can let go of extra twist by picking up your work and dropping the needle, allowing the extra twist to spin the needle around and fall out of the thread. Then you can go back to stitching.

Untying Knots

The most common kind of knot to get while you are stitching is a slip knot. They happen when the thread starts to twist up and a loop slips through another one. When you see a knot starting, the best thing to do is stop stitching and don’t pull it tighter.

A slip knot looks like a loop with a knot at the base of it and you will see two “legs” coming out of the bottom. If you pull on one side, the knot will tighten up, but if you pull on the other side, the knot will unravel easily. It’s hard to tell which side is which by just looking at it because it’s all based on how your thread twisted, but a gentle tug on each leg will usually show you how to loosen it. If you accidentally pull it too tight and nothing is slipping loose, you can sometimes unravel it by slipping your needle into the knot part and wiggling it around a little to loosen it up and allow the threads to slip.

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