Blog2026-05-21T15:56:24-05:00

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Studio Journal

Kindness is a shade of purple.

As I was driving back from getting a haircut today, I was thinking about writing this post. It’s not really about art which is what I usually talk about here in the studio journal, but in a way it is about color and I think that makes it relevant.

My hair started going white when I was about 30. My dad has beautiful curly white hair and has for decades. (He looks like Santa Claus; I am not even kidding.) It was inevitable that mine would end up white and when I was about 40 I started to kind of hate it. Not because it was white but because it was just boring. I absolutely admire people who embrace the grey and let theirs go beautifully silver, but that just didn’t feel like me. I felt blah.

I am an artist. I love color. I almost never wear black or white, but my glasses are bright orange or turquoise depending on the day. I do not own any beige furniture. My hair has always been a mediumish boring shade of brown. (My mom’s a redhead and I am still mad the genes didn’t go my way on that one.) And in my 40s my hair was then a mediumish brown grey blah. So I asked my hairdresser to color it. She’s been doing my hair for about 18 years and I love her to pieces. So I just let her do some magic. Don’t get rid of the grey just make it more interesting.

I’m sure some of you are thinking, ok Becka so you dyed your hair. What’s the big deal? I’ve never done anything to drastically change my hair before. As a kid I had long Little House on the Prairie braids. When I was in highschool I cut a blunt bob. (That’s my senior picture on the right.) The fashion was long spiral perms and huge curled bangs, so I was not on trend even a little bit. It’s thick and straight. I never colored it, permed it, or even cut it in anything remotely interesting. Adding color was a big deal to me and I second guessed myself a little bit. Would it feel too fake and would I hate it? Nope. Loved it.

It would be a very boring story if it ended there. About a year ago, I sat down for a haircut and my hairdresser says “I have a brand new color and I don’t really know how your hair will react to it and I am curious to try it. What do you think?” I am pretty easy going about things like this generally and she knows it so I said, “Sure! Let’s experiment.”

Friends, my hair was purple. Not burgundy or maroon or reddish. Streaks the color of grape candy.

When I first saw it in the mirror I was like OMG I love it. And then I immediately started to doubt myself. Was I a purple hair kind of girl? Did it look silly on someone who was 50? I felt self conscious and within half a minute I had kind of settled on “It will grow out”. I talked myself out of it.

I LOVE wild colored hair on other people. Love it. It’s art and it’s fun and it’s powerful. Know that if I’ve seen your neon green or pink stripes, I have thought you are a rock star. And that’s kind of the point of my post. I hardly ever tell someone, “wow I like your hair” but I should do it more.

So the next week, I had purple streaked hair and a bunch of classes to teach in person and I was still feeling a little unsure of the whole look. But then some random people out in the world made a couple of simple comments. One student picking out threads said “ooh I love this color. It matches your purple hair”. And someone else said, “Your hair is so cool. I love how the color is so subtle but still fun.”

And those were really just a tiny something said in a moment to a stranger, but they changed my whole attitude. It was like by hearing them say “I love the color” then I could say “I do too.” Now I love the purple. I look forward to haircut day when we “re-purple”. The streaks fade and kind of blend in over a month or two so if you see me out in the world, they won’t always be as vibrant. But I know they are there.

I didn’t pick purple. Purple is not even close to my favorite color. But something about purple and kind strangers was exactly what I needed. And that’s why I’m writing this post. Because you never know when saying something as simple as “I love your hair” is exactly the thing that someone needs to hear.

May 26th, 2026|An Artist's Life|5 Comments

What is Two Fish Fibers?

This weekend Two Fish Fibers was at the Shepherd’s Harvest Festival at the Washington County Fairgrounds in Lake Elmo, MN. Shepherd’s Harvest is Minnesota’s big spring fiber festival. There are yarn and fiber vendors (like us), demonstrations of everything from weaving on a warp weighted loom to sheep shearing, food trucks, and lots of very knowledgable and enthusiastic fiber geeks.

Our booth is known as Two Fish Fibers because the three of us  – Becka, Jen and Doreen – have been partners at this show for about 16 years. It’s really hard to do a show all by yourself, so Jen (Strawberry Moon Fibers) said “we should do this together”. Doreen (Goldfish Love Fibers) and I met as a blind date for the first time setting up a mock up booth so we could submit photos to apply to the very first show. Years later, we applied to another show and the organizers insisted we couldn’t go by just our names so we had to invent a new one. Since two of our logos had a goldfish in them, we decided we could just be “two fish” when we are together. So now anytime we are out in the world as any part of our group we go by Two Fish Fibers.

Doreen and Jen are both spinners; they met at a neighborhood spinning group. All of us are teachers; Jen and I met as school residency artists for the now-retired Textile Mobile program about 20 years ago. We’ve always done demonstrations in our booth. This year we had a huge warp-weighted loom that Doreen set up with rocks-in-socks as weights while she talked to people. And we set up a “card your own batt” station with a drum carder and let people pick out their own mix of fibers to blend together.

We got a new goldfish neon sign for the booth this year and it was really fun. We got a lot of questions about “do goldfish really love fibers?” and “where are the two fish?” but it was easy for people to find us. Just look for the neon goldfish sign!

We have a big variety of things in the booth. I bring digitally printed zipper bags for notions and projects that are packed with puns. Our booth literally has the most puns per square foot of any space at the festival. I also have mini craft kits and wool eye glass cases. Jen brought hand-carded batts, handdyed and natural colored wool top from local sheep, and some beautiful handspun yarn. And Doreen had dye kits, handspun yarn, and embroidery threads.

Shepherd’s Harvest is our favorite weekend of the year.

May 11th, 2026|An Artist's Life|Comments Off on What is Two Fish Fibers?

What makes you want to volunteer?

When I think about the values I have in my art practice, I try to save time to do things to support the local art community. For years I worked at an arts non-profit and every weekend during the summer I did outreach and demos in dozens of tents and parks and farmers markets. I’ve done creative work like graphic design and website maintenance for several organizations. I’ve served on boards of directors for non-profits. I’ve been a panelist and guest speaker for arts events. All things I am good at and I love doing. Because I worked at a non-profit, I know exactly how valuable volunteers are to the success of a lot of programs and I try to be one of those volunteers when I can.

One of my favorite tasks (and one of the hardest) is serving as a panelist to review grant applications. You have to apply to be a panelist and attend a training session to learn about the specific grant and criteria to look at. Then, you read and score applications from arts non-profits who are looking to help lower the cost of tickets for musical events, or buy new sound system equipment, or hire specialists to help them out. They get to tell what their need is and how it will help the organization accomplish its goals. The proposals are always fascinating to read and I learn so much about organizations I had never heard of before and art media that I don’t know anything about. I feel like grant panels are really important because I have been the recipient of several grants; someone sat on that panel and evaluated my proposal and so I feel like I am paying the community back.

Sometimes it’s hard to be a volunteer.

I’ve had some volunteer jobs that ended up being not a lot of fun. I had long-term volunteer job that broke down recently into a not so great situation. We were working on a couple of big projects and things just melted down. I think there was some miscommunication and some timeline stress behind the scenes. I emailed some other non-profit friends for advice. How should I handle this? What do I do to not make the situation more stressful? Should I just step away?

One comment really stood out for me and I keep thinking about it: I never volunteer to do something I get paid for.

My friend basically said that “volunteering your time is not the same thing as giving away your expertise”, especially when it comes to creative/art work. There’s an idea that creative volunteer work is supposed to be “fun” and flexible. You can do revisions, slip timelines, or change things on the fly because it’s free volunteer work and something you do for fun or because you believe in the cause. However, the exact same tasks become more “official” and valuable the minute someone gets paid for it.

We laughed when I said “no one has ever given me a hard time about how I cleaned up trash after a fundraising party”.

That statement is abolutely not true for other more skilled volunteer jobs like graphic design. Ironically, the creative work that I’m good at is much harder and less rewarding to volunteer for than things like folding programs, working the registration table, or cleaning up the trash.

So I’ve been thinking about that statement a lot.

I’m curious: Do you have boundaries or rules that you set around volunteering? What makes you want to volunteer? Or NOT volunteer for something?

May 5th, 2026|An Artist's Life|2 Comments

Snacks: How I wrote, illustrated, and published my own alphabet book

So sometimes the path to writing a book absolutely doesn’t start with the idea “I’m going to write a book.” In fact, I’ve now written and illustrated four books and none of them started out as a book at the beginning of the project.

Snacks is the book I have been working on for the last year. Snacks started with slippers. Sometime in 2024 I ordered a beautiful felt slippers kits from a place called Joe’s Toes. I made them up and decided that they were a little plain, so I drew some felt humpback whales and appliqued them on the toes. They turned out really cute. They were such fun to stitch that I looked around and spotted felt eye glass cases made by the same awesome people. So I ordered some and made a few glasses cases for family and friends. My mom got a portrait of her dog, I made a green jay with edelwiess to celebrate my mother-in-law’s trip to Switzerland, my friend Goldfish Love Fibers got a goldfish.

I was having so much fun, I ordered some more felt. And I made a batch to sell at a local craft fair. I sold out in the first hours of the show. I made a few rules for myself: they had to be unusual animals; no cats and dogs. I wanted them to be the odd things that people love and not get trapped into making custom portraits of people’s pets. So I made tapirs, sloths, axolotyl, platypus, seahorses and yaks.

One afternoon, I decided to photograph them. I thought “I don’t know what I am going to do with these photos”, but I want to document them because I am doing so many different creatures. So that became part of the process: stitch the animal, photograph it, fold and stitch the case.

Then one day I made a list and realized that I had like 18 of the 26 letters of the alphabet represented. With just a few more odd letters like J and U, I would have an entire alphabet.

I’ve always loved alphabet books. I like that such a simple theme can become a story. So I decided to make the rest of the letters in the alphabet.

I’ve sold nearly all of the glasses cases that are the exact animals in the book. I decided that this was my most fun art recycling project yet! Make practical things for people to use and then use the photos to make something entirely new. I also love any reason to recycle my own art. For a long time, I have used parts of fabric designs as a texture in another. The previous books I mentioned all started as a completely different project and then I realized I had all the art, why not make a book?

So I stitched U (uromastyx, a kind of lizard) and J (jaguar) and all kinds of other animals in between.

How did it turn into a book?

Once I had the alphabet idea, I knew I would also need to stitch the alphabet. That was my project last year at the annual open studio event I do. I stitched alphabet letters while I chatted with people. These were stitched on felt coaster samples. I like working on thick felt as a backing and so I tracked down some sampler packs on Etsy.

Before I was settled on book, I thought about making a postcard set with each animal and its letter as a postcard. But I put a survey in my newsletter and “make a book” got way more votes.

So, then I thought this book really needs a story. Just having the animal and a letter is kind of boring. It took me a few months to come up with the idea of “snacks”.

I was talking to my mom and remembering a trip to a zoo we were on together. The zookeeper told us about this little river otter who always pounced on the food bowl very first thing so she could grab the shrimp. She would eat the other things, but the shrimp were her favorites and she would shove everyone else out of the way to get to them. The story made us laugh and we still remember it years later. So I thought, I wonder if there are other stories like this. Animals who have favorite foods or treats that aren’t the foods that are listed in their official stats.

So many emails.

I started sending emails. I researched and emailed dozens of zoos to ask about specific animals and their quirky snacks. I made sure that I was asking an easy question to reply to: an individual animal like a sea turtle and just one specific thing that their turtle liked to eat. I tried to explain that I wanted to know especially about their animals and not the wikipedia “what does this animal eat” answer. I told them I was an artist and I was planning to hand embroider all of the illustrations. I had a spreadsheet to keep track of who I emailed, what they said and other notes and comments.

Fortunately some of those zoos responded right away and their staff thought that the project sounded whimsical and fun, just like I did. I got some delightful emails back with funny stories and details. You could tell that these zookeepers and education staff really loved their animals as individuals with personalities all their own. This was the most fun research I had ever done for an art piece! I would excitedly text my family “Zebras like tomatoes!” I expanded my emails to also include rescues and other animal rehab or welfare organizations in a quest to get a real answer for every one of my alphabet letters. One of my favorites was from a oceanlife rehab organization who had a female red-footed booby in residence. They said her favorite thing was squid and she would grab it from the staff person and shake it (like a dog does) and spray squid slime all over the face of her keeper. They affectionately dubbed it “getting a squid facial”. A large-and-friendly national aquarium said that their sea turtles loved vegetables but only the green ones. If you gave them red and green peppers, they would ignore the red ones. Two local zoos to me – Como Park Zoo and Bramble Park Zoo – were especially friendly and chatted with me back and forth about the idea and their animals. It was conversations like that which kept me inspired by this project!

Other emails weren’t as much fun. Some places never responded at all. A small number of them sent me a long legal referral email to the marketing department about partnerships and licensing. A few sent generic “we are too busy to answer questions” responses. Those were bummers. The funny thing was that you could really tell the places that prioritized learning and sharing their animals and the ones that were “corporate”. Sadly for me, several places had policies about not quoting or recognizing their zoo by name for answering questions like this. I had big plans to put a whole list in the back of the book with thanks to everyone who helped, but I had to leave that out at their requests.

Finally I stitched the snacks; thanks to my spreadsheet of notes! I decided to put them on small pentagons and the letters on rounded squares so there were some shape hints in the book too (ie you know to look at the pentagon for the snack).

I didn’t realize it at the time, but I wrote a non-fiction book! I drew my animals using a lot of reference photos from zoos, which I decided was a more reliable source than Google, which is so full of AI slop that I don’t trust it to be really a true representation. Every one of those snacks I stitched was because I talked to someone knowledgeable about that animal.

Making the book pages.

I put together each page in Photoshop. Looking back, I don’t think I would ever have sat down and embroidered all 64 pages worth of illustrations one by one. But since I did them as a whole series of other smaller projects, they were really easy to assemble. I have used the photos of the letters for several other projects already and I am planning to make an alphabet animal fabric panel/design too. I love how versatile they are.

Once I had settled on snacks as the theme, I wrote out the text for the book identifying the animal and its snack. My family helped me brainstorm 26 different words for eating something so each letter had its own verb to go along with it.

Armadillos slurp creamy peanut butter.

Boobies nibble squishy squid.

Every snack also has an adjective, often with alliteration or just because I thought it was fun to read out loud. I also realized I needed a little intro and conclusion for the story so I stitched a few more illustrations specifically for those pages. I decided that leaf-cutter ants would be a great illustration for the page where I talk about how I made the illustrations by cutting up and sewing together felt.

All together there are 95 different stitched pieces plus the cover!

For those that enjoy the technical details, I decided to print the book with Ingram Spark, who are a huge indie book publisher. I approached several print companies about trying to get it done locally and the cost was just too high. Because I am self-publishing, I have to pay all the costs myself up front. One place was really great and gave me a quote of about $14 per book, but in order for me to be able to make anything to pay myself, I would have to mark it up to a place that doesn’t make sense for a paperback kids alphabet book. Ingram was able to print it for about half that price. I purchased my first ISBN number so this one credits me as the publisher. (I printed previous books differently and they handled ISBNs in a different way). I should be able to make it available for bookstores and libraries to be able to order it but I haven’t set that up yet.

If you are thinking about printing with them, I have been pretty happy with what I have gotten but its *hard* to make sure you follow all the specifications and directions correctly and they have terrible customer service. It’s frustrating and they aren’t very friendly. I had two mis-print problems with the proof copy of my book. One was my error, which I fixed without their help and the other was 100% their fault and they have not yet responded to my support ticket. I’ve got a second proof that is great and I ordered a case of books and I have all of my fingers crossed that they are awesome when they arrive. (This is why I am not taking pre-orders. I don’t quite trust it until I see it.) Hopefully I will have them in the next couple of weeks.

Edited to add: The BOOKS ARE HERE.

April 15th, 2026|Everything Else|7 Comments

Hi, I’m Becka.

I’m all about sharing what I know and giving a real look at the creative life—both the art and the business side of being an artist.

I teach online and in-person classes covering embroidery, handcrafts, fabric design, creative technology, and practical artist business skills to help makers grow with confidence. I’m also the co-author of The Spoonflower Handbook and a Skillshare instructor.

When I’m not teaching, you’ll find me creating books, exploring paper art, and diving deep into all things fiber art (with a healthy dose of creative geekery).

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